TGIF lovers!!! I am so glad its Friday!! It has been a busy week!
I hope you're all ready for your TV fix this week because I have my favorite TV friend Michelle back today for another round of TV Talk.
SO sit back & lets talk TV
We are lucky to be in an age where there is so much great TV content. So why watch TV the same old way you always have? Well, you don't have to! Let's talk about TV!
Quality
I watch about 30 shows on TV over the year (shut it). Not all at the same time or season, my DVR would explode and I'd never leave my house again. I watch mostly cable shows- meaning shows on FX, AMC, Showtime, and HBO. (Cable shows are 13 episodes as opposed to broadcast shows [ABC, NBC, CBS, Fox] which are 24 episodes a season.) 13 episodes translates to faster and tighter story lines, less wheel spinning, and better quality.
Why better quality, you might ask?
Let me paint you a picture….Can you imagine how long it takes to come up with 24 stories, write 24 scripts, rewrite 24 scripts after the network executives give notes, film 24 episodes, then edit them down to 22 minutes? If a broadcast show produces 24 high quality episodes that entertain week in and week out that moves the plot along…the writers deserve a fucking medal. And a coma length nap. And for all that hard work slaving away on broadcast networks- not a SINGLE broadcast show was nominated for the Emmy's last month. Not one. Because the broadcast model doesn't turn out the best programming. Cable does.
Breaking All the Rules
The FCC can't regulate cable like they can on broadcast. That mean the characters can employ…"colorful language", have sex, show gore, be crass- talk how we actually talk in real life. (Violence isn't everyone's cup of tea, that’s fine. That's not all cable has to offer.)
Creators have more control over their shows and less input from the network executives. Do you want to watch a show written by creative storytellers who have been honing their craft for years all in the name of producing something entertaining…or do you want to watch a show carefully monitored by a middle aged white dude who has a business and finance degree who's worried the show's "racy content" might scare away the conservative affiliates in Utah or scare off the soda company who doesn’t want their beverage associated with a certain show? That's rhetorical. Obviously, you want the former.
Content Growth and Trust
Since 2010, ABC has launched around…30-35 dramas (other networks do too, but I'm using ABC as an example). They cancelled over 20 of them after or DURING their first season (GCB, Pan Am, 666 Park are just three.) I no longer watch ABC because I do not trust ABC (especially after they canned Happy Endings). It's not fair to the cast/crew of the show and it's not fair to the audience (us) to buy and promote a show, shoot and air episodes, then take it away without a conclusion. That's not fair. I spent time watching that, I talked about last week's cliffhanger with all my friends, I want to know how it ends!! But that's life on broadcast.
(Moment of silence please: RIP many shows.)
Cable lets stories progress organically and they give them a second for a new show to get its "sea legs". Broadcast has the money, but won't risk it on a creative jump. It sucks. Right now, ABC's Sunday night line-up is shows with the same name: Revengeand Betrayal. (They also have Scandal- this is saying nothing of content or quality, this is pointing out that the network might want to expand their ideas a little…a LOT)
Now What?
Now more than ever, you can watch TV on almost any device, whenever you want, on SO many channels!
Netflix tried its hand in original content this year and it's phenomenal!
Orange is the New Blackis wonderful
House of Cards is sexy and sordid,
I'm beyond grateful to have Arrested Development back in my life.
FX launched The Americans this year, and while it's weird watching Felicity kick a guy's face in, it's a really great sexy and suspenseful period show about the Cold War. It also has the crazy, campy miniseries American Horror Story (which reboots every season, so it's nothing that requires catch up). I haven't even mentioned Sons of Anarchy (hello, Christian Grey) or Justified.
BBC America has brought us the 'clonetastic' Orphan Black which I literally cannot recommend enough (one woman, seven characters, hairstyles, accents, and mannerisms?! A+ acting showcase). The beautifully filmed and wonderfully acted Broadchurch brings us a new twist on a murder in a small sea side town.
Showtime brings us Homeland, Masters of Sex, and my personal favorite, Shameless. And there are NO commercials. We get 50+ minutes of awesome, uninterrupted story telling! What's not to love?
If you missed Breaking Bad's breathtaking run, catch it all on Netflix.
Seriously, there's only 62 episodes. That's nothing to marathon.
I guess what I'm trying to say is mix it up. We don't have to watch the Big 4. There's more and better content available. It's out there and it's so easy to find and watch. Fall TV season is upon us, so I implore you to maybe pass on a few broadcast shows in favor of a better and creative and surprising cable show.
(*There are some great shows on broadcast: The Good Wife, Hannibal, Scandal, Parenthood among them. I'm adding this because I don't want to throw a blanket over all broadcast dramas.)
0 comments:
Post a Comment